Annabel Lee

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Two Saturdays ago I went to Kerry’s Irish Pub with some of my friends. My friend Amber and I went to the bathroom where the usual poems and drawings were scribbled on the walls. As we always do, we read to each other the dribble that was in each of our stalls. Imagine my amazement when Amber began to recite Edgar Allan Poe’s “Annabel Lee” from the first stall. I could not believe that someone had taken such a renowned piece of literature and degraded it to a saying on a bathroom wall. Yet on further inspection of the wall there it was. In close company was another fine poem. “If you sprinkle wile you tinkle please be a sweetie and wipe the seattie.” This event maked me think that Poes “Annabel Lee” is no better than any other childish nonsense you would find on a bathroom wall. To prove my point I will break down and analyze the rhythmical patterns of “Annabel Lee.” I can show that the structure of this poem never formed itself into any set pattern except to mirror a children’s story.

The dominant rhythm of “Annabel Lee” is anapestic trimester shown best in the lines “And this maiden she lived with no other thought/ than to love and be loved by me” and “with a love that the winged seraphs of Heaven/coveted her and me.” However, towards the end of the poem, Poe is using an iambic rhythm within the lines “But our love it was stronger by far than the love/Of those who were older than we/Of many far wiser than we.” It as if the reader is being bombarded with this intense strain of Poe trying to get his point across and then being lulled into a song as to forget that you were

just accosted. This in it of itself makes the poem like a child who just pitched a temper tantrum and now wants his mother to forget it because he wants a piece of candy.






“Annabel Lee” seems to be no more than an obsession with sound. The whole first stanza is a continuous repletion of “M” and “L” sounds

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

And this maiden she lived with no other thought

Than to love and be loved by me.

The long “A” sound in the first stanza creates a sound suggesting a mournful passage of time. Then, in the first line of the fourth stanza has a repetitive “H” sound “The angels, not half so happy in Heaven,” gives a sarcastic undertone. The repetition of the short “O” sound, in the second and fifth stanzas, gives a calming feeling

I was a child and she was a child,

In this kingdom by the sea,

But we loved with a love that was more than love-

I and my Annabel Lee-

With a love that the winged seraphs of Heaven

Constance

Coveted her and me.

But our love it was stronger by far than the love

Of those who were older than we-



Of many far wiser than we -

And neither the angels in heaven above,

Nor the demons down under the sea,

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee.

The repetition of the “EA” sound, in the first two lines of the sixth stanza, “For the moon never beams, without bringing me dreams/Of the beautiful Annabel Lee,” brings a growing feeling of intensity to the reader. Also, with the repetition of the long “I” sound, in the next four lines of the same stanza, amplifies the whiney nature of the poem

And the stars never rise, but I feel the bright eyes

Of the beautiful Annabel Lee,

And so, all the night-tide, I lie down by the side

Of my darling- my darling- my life and my bride,

“Annabel Lee” shows a great childlike form. Poe even states “I was a child and she was a child,” symbolizing innocence. He is like a boy obsessed with an object. But, in this case the object of his affection is a person. Annabel Lee’s death seems not to affect the relationship that Poe has with her. Its as if her death had not changed they’re interactions with each other. This makes me wonder if Annabel Lee really “lived with no other thought/Than to love and be loved by” Poe. Or is it just something that you

might read from a stalker. Its sounds like a childish obsession that has masked itself behind what someone calls love. He still speaks of Annabel Lee as if she were alive.

denying the loss of anything. So if this love was a love that even “The angels, not half so happy in heaven,/Went envying” them why does Annabel Lee’s death not change Poe’s interactions with Annabel Lee.

I can just see a deranged man scribbling this poem on a bathroom wall so that everyone will read it. This would some how justify the love this person had and make the delusion real. The darkness of the poem shows another side of the story. With the words and phrases “sepulcher,” “tomb,” “angels,” “demons” and winged seraphs” the poem gives the impression that there is an underlying mistrust in what Poe is saying about his love for Annabel Lee.

After looking into what Poe’s critictics said about his work I feel justified in calling “Annabel Lee” a childish work. T.S. Elliot states “that Poe had a Powerful intellect is undeniable but it seems to me the intellect of a highly gifted young person before puberty. The forms which his lively curiosity takes are those in which a pre-adolescent mentality delights (Hoffman, p.x).” This shows that even Poe’s colleagues thought his work lacked the style of a mature educated writer. Also, in the book, Eight American Writers, Norman Foerster says “in Poe’s late style, his language grows more artificial, his rhythm more spasmodic, and his mood close to hysteria. Critics have been disposed to attribute this change to mental deterioration, but it is probably the result of

Poe’s increasing preoccupation with the details of his poetic theory and his journalist’s appeal to the popular taste for the bizarre (p.7)”

“Annabel Lee” even reads like a child’s fairy tale. It begins by saying “It was many and many a year ago, In a kingdom by the sea.” This isn’t exactly “Once upon a Time” but it’s close enough. This poem lends itself to be seen as a children’s story. I found many webs sites for children’s writing that included this in there pages. One site even had illustrations for children.

With all of the jingliest themes of “Annabel Lee” it makes me wonder if Poe did it deliberately. Maybe to play into what his critics has said about his writing. Or maybe he was letting his writing slip later in life. What ever the reason for this is, I do not know. But the lack of mature writing in “Annabel Lee” leaves me feeling like I have just read a cute little children’s story.

Works Cited

Foerster, Norman, et al. Eight American Writers.

New York Norton, 16

Hoffman, Daniel. Poe, Poe, Poe, Poe, Poe, Poe, Poe.

New York Doubleday, 17

The Norton Anthology of American Literature.

W.W. Norton & Company, Inc, 00

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